Thursday, April 29, 2010

Why Not the West Indies?

Why Not the West Indies?

Why not the West Indies, Mr. Dyson?
Why Istanbul,
Why not the West Indies?

You said you had to correct
our dictation papers,
our spelling of
immediately, certainly
while there was a ship
in the harbour with
'English people', you said
'drinking and dancing'
and you gave us to understand
in the little English we spoke
that you felt marooned
doomed
to wait out the days
of your white, fragile burden
here, on our shores
But why here Mr. Dyson?
Why not the West Indies?
*
And at last, your labour paid
I spell words like Roseau, Windward
and chase them across time zones.
Now, I take photographs of calabashes
as if they were my daffodils
certainly, Roseau, calabashes
the mist that is sitting on the blue hills
and a thousand other creation stories.


Thursday, April 22, 2010

Incidental Music

Morcheeba is playing. I taste the local delicacy he has transferred to my plate and I think of witty things to say. I namedrop. It is not going too badly. Then I namedrop a name painful to me and this name calls forth stories on his side. The significance of which is impossible for me to gage. The little he knows about me is a good measure of the little I know about him. But I know I have hit on something here. He looks at me rather intently and asks. 'He is working on A., isn't he?' This may be the one single moment in which his real, vulnerable and almost tactile self has shone through.

Thursday, April 15, 2010

Washington

Washington itself, is a Disneyland, very Baudriallard, giant signifiers, plaques gone wild. There are many people jogging, which recalls scenes from Burn After Reading. After such knowledge, what forgiveness?
There is also a kite festival, bright skies and freezing cold.
I have soup at the Smithsonian Castle, and sit at a table with a middle aged American couple. They ask me what I do, and when I tell them what I teach, they say 'Ah, our son is learning Arabic, a special kind of Arabic, what was it? Sunni, yes I think it was sunni'. I smile. 'Has your son been in the Middle East?' I ask. 'Yes' they say. I know what is coming and still ask 'Where has he been?' 'Iraq' they say. I am relentless. 'What was he doing there?' 'He was in the army'. I could go on asking questions. I could even make a scene. I don't.
As part of my Grand Tour of American universities I make my way to Georgetown and for some reason when I get of the bus I feel I am in Stratford. Maybe because of all the Shakespeare related establishments that are in Washington. I enter a Body Shop and not far off is a Karen Millen. I am, of course, in my element. I slowly make my way towards campus and stop at the Bryn Mawr bookshop. It is run by two very old ladies one of whom has a discernible British accent. The other one is at the counter, transacting, ever so slowly, business. She adds sums on a piece of paper with a pencil and then looks at a table to calculate the tax. Then she can't calculate the change. The gentleman says it is quite alright, she doesn't have to give it to him. She insists, and the other lady arrives, looking hawkishly at the proceedings. The lady at the counter manages to give the exact change and now it is my turn.
She writes the prices of the books down. A Selection on Verses from the Koran. She looks at the price, looks at the cover and says 'I quite like the older version' she says. I wonder if she means the Bible. Then she looks at Priestley's An English Journey. 'Oh yes' she says 'We have some very good books here'. She does the sums and now's the time to swipe my card. She tries a couple of times and fails. The other lady, a character you feel must be played by Emma Thompson comes and says to me 'It should be alright. She can do it'. Then turns sternly to the hapless woman at the counter. 'You can do it Margaret. Take your time Margaret'. Margaret takes her time. It does not work. I pay cash.
I then continue towards the campus and have a quick walk around the grounds. As I am about to leave a notice a group of young men all dressed in black a-la-Reservoir-Dogs, and stranger than that, there is a woman who is walking ahead of them, turned towards them and so walking backwards, taking their photographs. Other people turn to look at them and they cast flirtatious looks back. Some kind of ad? As I exit the gate I hear their talk, and my radar catches the word 'Islam', and then I here the rest quite clearly. 'Hey, I think we should have a picture taken with the hijabi girl!' I want to stop, turn back and say to them a-la-Robert-de-Niro 'You talkin to me?'. Who knows what that could lead to? I feel strangely flattered. I am impressed that they know the word 'hijabi'. A bit more discerning than Sunni Arabic, I think. I have never been called that before. I feel validated. Maybe now's the time to make a scene.
But there's a bus I must catch and so I soldier on.